When I looked into this several months ago (because I, too,
have a pile of
old home movies), I discovered:
The frame rates of film and video do not divide evenly. So,
to get the video
to flow at the same rate as the film, extra copies of frames
are inserted
here and there - at regular, but odd intervals. [I wonder
if, on a computer,
you could set the video refresh rate and video frame rate to
something that
would work for the original film frame rate.]
There are some relatively cheap set-ups available to project
a film on
a small screen and video-record it. I can't imagine that
the quality would
be better than horrible. With the incompatible frame rates,
how bad would
the flicker be? I vaguely recall that you have to provide
the projector and
camera. Those once ubiquitous Kodak Instamatic projectors
are famous for
having brittle plastic gears. I have two such projectors;
both broken. [They
worked when stored 30 years ago. When I fired each up,
little bits of plastic
gear went flying.] There is a company I found on the web
that provides instructions
and parts to restore these things, but...
I would think that trying to run an old film through a
projector - with the
jerky motion necessary to get each frame stationary in the
gate when
the shutter opens - risks shredding the film. Non-linear
scanning at low
speed sounds safer.
Googling, I found a web site by some guy who was working on
his own
transfer mechanism. He was using a scanner with fine-enough
resolution
that he thought it would be OK for such tiny pictures. And,
he rigged up
some mechanical device to automatically advance the film some
number of
frames at a time and scan a group of frames. -And, he was
working on some
software to separate the frames and adjust them so that
they're aligned (based
on the sprocket holes) because the mechanism couldn't
possibly align the
frames on the scanner well enough. I'll see if I can find
the site again.
I wonder if there's pent-up demand for transfer services
because the prices
are so high.
I had hoped to find a co-op or non-profit. But, commercial transfer
equipment
is so expensive, even a non-profit would have to charge a
lot to break even.
-Maybe a charitable organization interested in preserving old
film and
would do it on the cheap?
Or, a small number of people buying a (used) $1000 telecine machine
could split the
cost and take turns... ...and sell it when done?
I would think that it'll be worth looking over the films
carefully and deciding
which are really worth transferring. [I used a microfiche
reader to look at
a few of mine. It was extremely awkward.] Some of the the
companies
in/near
And, there are old viewers (hand-cranked, for editing)
around...
http://www.thebattles.net/video/8mm_restoration.html
http://photo.net/video-forum/003WXX
http://vimeo.com/22015773